303-279-1111 | 10395 W Colfax Ave Lakewood CO 80215 | info@goldenmusic.co | Open MON-THUR 11-7, SAT/SuN 10-5, closed Friday 303-279-1111 | 10395 W Colfax Ave Lakewood CO 80215 | info@goldenmusic.co | OPEN MON-THUR 11am-7pm, SAT/SUN 10am-5pm, closed Friday

Music Music Music

June Master Sale - Featured Violin - Francois Breton

Francois Breton - France - 1778-1830

Francois Breton was a violin maker who did most of his work between 1778-1830 in Mirecourt, France.  He was the personal luthier to the Duchesse d’Angouleme.  He was a very prolific make and was imitated by many others.  His style was quite refined, generally a little over-sized, with flat arch and clear yellow varnish.  Thousands of factory made instruments were produced in his style after his death.  Breton also made good cellos and bows.  He would often put a brand on the back button and occasionally inscribe on the pegbox “F. Breton.”  His printed label would read F Breton, Musicarius, Mitecurti, anno 1805, F Breton brevete Luthier de S.A.R., Mme, la Duchesse d’Angouleme.  Breton died in 1830.  Link to  web page:  Breton

 

 

 

 

Here's a link to the sound bite:  Breton Sound

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June Master Sale - Featured Violin - Ernest Mumby

Ernest Mumby - British Maker - 1888-1929

This is the Ernest Mumby Violin.  He was born in 1888.  He worked in Tottenham, North London, United Kingdom.  He was a pupil of Whitmarsh.  His work is considered Classic English Violin making and displays good workmanship and good materials.  Golden Music's Mumby violin has a beuatiful mellow, expressive and warm tone.  Mumby died in London in 1929.  Here is a link to our web page for this violin:  Mumby

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What’s 300 years old, made of wood and easily outperforms most mutual funds? A Stradivarius violin.

 

Most Expensive Musical Instruments

A Stradivarius violin.

A growing group of investors is viewing music—as in unusual and expensive instruments—as a wise place to put cash. Not only can a musical instrument offer substantial financial returns; it is more functional and more fun than a painting on a wall.

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Pete Pidgeon (our very own Guitar Teacher) and Arcoda FREE Concert June 7th

 

We are hosting three concerts in conjunction with the Lakewood Inspire week.  

http://www.lakewood.org/Community_Resources/Arts_and_Culture/Performances_and_Events/INSPIRE_Arts_Week_Lakewood.aspx

 

The first is the amazing band Arcoda.  It is our guitar teacher's band, Pete Pidgeon.

 

www.PetePidgeon.com and our bio is at http://www.reverbnation.com/artist_58890/bio   https://www.facebook.com/petepidgeon
About Pete and Arcoda

Recognized in five categories for the 2011 Grammy Awards, Pete Pidgeon’s “credibly original approach,” as praised by Rolling Stone contributor Jesse Jarnow, is rooted in multi-stylistic stories of perseverance and rejuvenation – reflections of Pete’s true-life experiences. His collaborations with Grammy and Platinum Record recipients include Levon Helm (The Band, Bob Dylan), Mark Kelley (The Roots), Nikki Glaspie (Beyoncé, Nth Power), Kenwood Dennard (Miles Davis), David LaBruyere (John Mayer), Gabe Wallace (Gorillaz), and many more.

Pete's band members are experienced session musicians who can flexibly play American roots one night and neo-soul funk the next, delivering diversity with authenticity.

Jeff Buckley Co-Manager, Jack Bookbinder, recalls being “struck by Pete’s jaw-dropping vocals and approach to artistry” and Performer Magazine applauds, “Doubt Is For Losers is an example of genre-defining pop excellence.” Pete’s poignant, poetic lyrics and “acute songwriting prowess” (Relix Magazine) have been released internationally by Sony BMG and broadcast on BET’s number-one show 106 & Park for 10.3 million viewers – as sung by Epic Recording Artist Jessica Betts. Beats By Dre, VH1, and MTV have all been collaborators.Pete’s diverse compositions have been placed in award-winning films at the Los Angeles Reel Film Festival, Boston International Movie Festival, Honolulu Film Festival, and Bare Bones Film Festival.

Radio airplay on 238 international stations, including a #3 college radio peak, support from core stations KEXP (Seattle) and WERS (Boston) and placement on WKZE’s “Top 10 Indie Releases of The Year” has resulted in consistent exposure. Pete’s music is available globally on iTunes and all major digital outlets. Additionally, Pete’s YouTube musical instruction series has received over 1.2 million views.

Based in Denver, Pidgeon has performed internationally including a performance for the New York Times at Manhattan’s 85,000-capacity Javits Center, and at the 3700-capacity Fillmore Auditorium. Pete has walked the music industry’s most exclusive Red Carpets including the Grammy Awards, side by side with Paris Hilton, Nicole Kidman, Jennifer Lopez, Marc Anthony, Keith Urban and many others.

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Scottish Fiddling Comes to Golden Music in Lakewood on Sunday 3/22/15

This Sunday we welcome Although she is the Juice O' the Barley's fiddler extraordinaire, Kelly also performs music in other genres--and quite well. Website SepiaChord.com described her as the "secret weapon" in the band Tarantella. In addition to Irish and Celtic folk music, Kelly is an accomplished performer on the Hardanger Fiddle (Hardingfele). She has also performed and recorded with Portland-based Strangers Die Every Day and Minneapolis-based Painted Saints. During her career in Denver, Kelly has shared the stage with artists such as Thurston Moore, Jello Biafra, Dick Dale, and The Fray.
 
This Sunday, we welcome Scott, a singer/songwriter major from CU Denver and a multi-instrumentalist that plays guitar, mandolin, bodhran, and ukulele.  He has been playing both private and public events for a few years specializing in mostly americana, bluegrass, folk, rock, celtic and my own original music. In that time, he has shared the stage with the likes of Gipsy Moon, Leftover Salmon, Michael Engberg, and The Owen Kortz Trio. 
nd sometimes play mandolin. She plays violin and sings harmony and some lead. 
The band we play with normally is at www.reverbnation.com/juiceothebarley 
or the website www.juiceofthebarley.com 
 
Here is a page of Scott's songs at www.reverbnation.com/cscottsproject 
Here are a couple links for what they sound like on our own live
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Gregory Walker Guest Conductor works with our Chamber Orchestra

Since his 2009 Philadelphia Orchestra debut, praised by the American Record Guide as a performance of “precision and rapturous immediacy,” Gregory Walker has gained international recognition for his "beautifully calibrated phrasing," “ravishingly beautiful” tone, and the “sheer virtuoso force”of his delivery. While developing unique collaborations with the Poland's SinfoniaVarsovia, Filharmonia Sudecka and the Encuentro Musical de los Americas in Havana, Cuba, as well as the Detroit Symphony, Colorado Symphony, Cleveland Chamber Symphony, Breckenridge Festival Orchestra, the Oberlin Conservatory Orchestra, Ft. Collins Symphony, Yaquina Chamber Orchestra, the Colorado Music Festival Orchestra, and the Bavarian Youth Orchestra in Germany, he has been engaged at Norway's Tromsø Cathedral Series, the Gateways Music Festival in Rochester, New York, the Centro Mexicano para la Musica y las Artes Sonoras, Cork Orchestral Society Concert Series in Ireland, and at the U.S. Library of Congress.


Profiled in the internationally-distributed 2012 Chuck Fryberger documentary, Song of the Untouchable, Walker's discography includes critically-acclaimed releases from the Newport Classic, CRI, Orion, Centaur, and Leonarda record labels. He has performed with pop star Lyle Lovett and, as past concertmaster of the Boulder Philharmonic Orchestra, appeared with Mstislav Rostropovich and Itzhak Perlman, as well as Doc Severinsen and the Marcus Roberts Trio. Walker has been featured on National Public Radio, in Strings magazine, and on the cover of the April 2007 International Musician. He can be heard on Albany Records' 2014 recording of Pulitzer Prize-winning composer George Walker’s Violin Sonata No. 2.

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A Musical Fix for American Schools

Research shows that music training boosts IQ, focus and persistence
Instruction in music literally expanded students’ brains. ENLARGE
Instruction in music literally expanded students’ brains. DENVER POST/GETTY IMAGES
By JOANNE LIPMAN
Oct. 10, 2014 11:24 a.m. ET
75 COMMENTS
American education is in perpetual crisis. Our students are falling ever farther behind their peers in the rest of the world. Learning disabilities have reached epidemic proportions, affecting as many as one in five of our children. Illiteracy costs American businesses $80 billion a year.

Many solutions have been tried, but few have succeeded. So I propose a different approach: music training. A growing body of evidence suggests that music could trump many of the much more expensive “fixes” that we have thrown at the education system.

Plenty of outstanding achievers have attributed at least some of their success to music study. Stanford University’s Thomas Sudhof, who won the Nobel Prize in medicine last year, gave credit to his bassoon teacher. Albert Einstein, who began playing the violin at age 6, said his discovery of the theory of relativity was “the result of musical perception.”

Until recently, though, it has been a chicken-and-egg question: Are smart, ambitious people naturally attracted to music? Or does music make them smart and ambitious? And do musically trained students fare better academically because they tend to come from more affluent, better educated families?

New research provides some intriguing answers. Music is no cure-all, nor is it likely to turn your child into a Nobel Prize winner. But there is compelling evidence that it can boost children’s academic performance and help fix some of our schools’ most intractable problems.

Grammy Award-winning composer and violinist Mark O'Connor discusses the importance of teaching classical music to children on Lunch Break with Tanya Rivero. Photo: YouTube/Mark O'Connor
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Music raises your IQ.

E. Glenn Schellenberg, a University of Toronto psychology professor, was skeptical about claims that music makes you smarter when he devised a 2004 study to assess its impact on IQ scores. He randomly assigned 132 first-graders to keyboard, singing or drama lessons, or no lessons at all. He figured that at the end of the school year, both music and drama students would show bumps in IQ scores, just because of “that experience of getting them out of the house.” But something unexpected happened. The IQ scores of the music students increased more than those of the other groups.

Another Canadian study, this one of 48 preschoolers and published in 2011, found that verbal IQ increased after only 20 days of music training. In fact, the increase was five times that of a control group of preschoolers, who were given visual art lessons, says lead researcher Sylvain Moreno, an assistant professor of psychology at the University of Toronto. He found that music training enhanced the children’s “executive function”—that is, their brains’ ability to plan, organize, strategize and solve problems. And he found the effect in 90% of the children, an unusually high rate.

Music training can reduce the academic gap between rich and poor districts.

The Harmony Project in Los Angeles gives free instrument lessons to children in impoverished neighborhoods. Margaret Martin, who founded the program in 2001, noticed that the program’s students not only did better in school but also were more likely to graduate and to attend college.

To understand why, Northwestern University neurobiologist Nina Kraus spent two years tracking 44 6-to-9-year-olds in the program and then measured their brain activity. She found a significant increase in the music students’ ability to process sounds, which is key to language, reading and focus in the classroom. Academic results bore that out: While the music students’ reading scores held steady, scores for a control group that didn’t receive lessons declined.

Prof. Kraus found similar results in a 2013 study published in Frontiers in Educational Psychology of 43 high-school students from impoverished neighborhoods in Chicago. Students randomly assigned to band or choir lessons showed significant increases in their ability to process sounds, while those in a control group, who were enrolled in a junior ROTC program, didn’t. “A musician has to make sense of a complicated soundscape,” Prof. Kraus says, which translates into an ability to understand language and to focus, for example, on what a teacher is saying in a noisy classroom.

Music training does more than sports, theater or dance to improve key academic skills.

Last year, the German Institute for Economic Research compared music training with sports, theater and dance in a study of 17-year-olds. The research, based on a survey of more than 3,000 teens, found that those who had taken music lessons outside school scored significantly higher in terms of cognitive skills, had better grades and were more conscientious and ambitious than their peers. The impact of music was more than twice that of the other activities—and held true regardless of the students’ socioeconomic background.

To be sure, the other activities also had benefits. Kids in sports also showed increased ambition, while those in theater and dance expressed more optimism. But when it came to core academic skills, the study’s authors found, the impact of music training was much stronger.

Music can be an inexpensive early screening tool for reading disabilities.

Brazilian music teacher Paulo Estevao Andrade noticed that his second-grade students who struggled with rhythm and pitch often went on to have reading problems. So he invented a “game” in which he played a series of chords on a guitar and asked his students to write symbols representing high and low notes. Those who performed poorly on the exercise, he found, typically developed severe reading problems down the line.

Intrigued, he joined with Nadine Gaab, an assistant professor at Harvard Medical School, to follow 43 students over three years, and they found that the test predicted general learning disabilities as well. Why? Mr. Andrade notes that the brain processes used in the music test—such as auditory sequencing abilities, necessary to hear syllables, words and sentences in order—are the same as those needed to learn to read. Prof. Gaab says the test, which is simple and inexpensive to administer, has great potential as a tool for early intervention.

Music literally expands your brain.

In a 2009 study in the Journal of Neuroscience, researchers used an MRI to study the brains of 31 6-year-old children, before and after they took lessons on musical instrument for 15 months. They found that the music students’ brains grew larger in the areas that control fine motor skills and hearing—and that students’ abilities in both those areas also improved. The corpus callosum, which connects the left and right sides of the brain, grew as well.

Ellen Winner, a Boston College psychology professor and co-author of the study, notes that the study doesn’t show a rise in cognitive abilities. But she argues that music shouldn’t have to justify itself as an academic booster. “If we are going to look for effects outside of music, I would look at things like persistence and discipline, because this is what’s required to play an instrument,” she says.

Yet music programs continue to be viewed as expendable. A 2011 analysis in the Journal of Economic Finance calculated that a K-12 school music program in a large suburban district cost $187 per student a year, or just 1.6% of the total education budget. That seems a reasonable price to pay for fixing some of the thorniest and most expensive problems facing American education. Music programs shouldn’t have to sing for their supper.

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Open House for Pete Pidgeon, Guitar Teacher Extraordinaire! Feb 2 6:30-7:30

Come Meet Pete Pidgeon- Powerhouse Guitar Teacher Musician and Friend
Open House at Lakewood Mon Feb 2nd 6:30-7:30

Pete recently moved here from the East coast where he taught private lessons for 19 years.  He has developed a customized approach to help each student achieve their potential.  He has extreme patience and a good-humored nature.  This has yielded powerful results with students from age 5 to adult.  His personal endeavors include spiritual growth and travel.  He holds a degree in Jazz Guitar from the State University of New York.  He is versatile in Jazz, Funk, Rock, Hip Hop, Alternative Country, Groove, Fusion, Experimental, Acoustic, World Music and more.  

The Colorado Launch Party for Pete's  band Pete Pidgeon & Arcoda will be at The Walnut Room on Feb. 6 at 8pm   Americana songwriting its style. Influenced by The Band and Joni Mitchell.  Advanced tickets can be purchased via this link: https://www.ticketfly.com/purchase/event/751171/tfly


We will host this open house to meet Pete at our new Lakewood store on Monday February 2nd from 6:30-7:30.  

Light refreshments will be served.  If you have any questions, please email lessons@goldenmusic.co or phone 303-279-1111.

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